Best of 2010 (Albums): Honorable Mention

Before we get too deep in 2011, I thought I’d put a bow on 2010 this week. I’ll be listing a CD-R’s worth of my favorite tracks, my top 5 albums, and maybe a few other things this week. Too start things off, a list of great albums that deserve some sort of honorable mention…

cerebellum tewligans

Cerebellum 1989 (via Slamdek.com)

 

While these albums didn’t quite make my top 5 this year, I don’t think there is any doubt that I will be listening to them frequently for years to come.

She & Him – Volume 2: I almost didn’t even bother here, but I’m really glad I did. Discovering this was like finding out about an old rock masterpiece. There’s a lot of warmth in ZD’s voice and songwriting, and M. Ward’s flourishes round out the best traditional pop record of the year. (listen to “Lingering Still“) Read my original review.

New Pornographers – Together: I’m not really sure how AC Newman keeps getting such inspiration out of this wacky ensemble, but Together, as its name would imply, manages to achieve both a stunning overall unity and the most idiosyncratic performances from each of the key players yet. Neko’s at her best on “The Crash Years”, Dan’s a wacky loverboy on “Silver Jenny Dollar”, Kathryn Calder shines on “Sweet Talk, Sweet Talk”, and Dr. Newman rounds out just about everything else. Fantastic artsy power pop, fabulous performances, a great experience all around. (listen to “Sweet Talk, Sweet Talk“) Read my original review.

Venice Is Sinking – Sand & Lines: This is what rainy Saturday mornings feel like. The great thing about this record is that you can get up close to it or leave it on in the background, either way you enjoy it. As I’ve said before, I wish more bands would just hang a microphone from the ceiling and play a set. Can’t wait to see what the future holds for ViS. (“Bardstown Road“) Read my original review.

Frontier(s) – There Will Be No Miracles Here: Chris Higdon returns 7 years after the demise of Elliott with a record heavy on the DC-style hardcore. As packed as this one is with melodic, chunky riffs, comparisons to Jawbox seem obvious but entirely appropriate. Oh yeah, and it grows on you too. (“Abul Abbas“) Read my original review.

Bruce Springsteen – The Promise: Recorded in the late 70’s, this is a gold mine for just about anyone who cares about rock and roll. Did we really need a reminder of what a monumental and unique talent Bruce Springsteen is? The Boss himself seems to think we did, and for that, I’d like to shake his hand. (“Someday (We’ll Be Together)“) Read my original review.

Stars – The Five Ghosts: Stars fully embraced 80’s synth-pop on this record, and what came of it was one of the most listenable and catchy collection of tunes imaginable. With all their earnestness, I get a feeling it’s becoming less and less cool to like Stars, but don’t let that hold you back. This is some serious ear candy, so just indulge your sonic sweet tooth already. (“Wasted Daylight“) Read my original review.

Cerebellum – Cerebellum: How could this not be awesome? Cerebellum came to a pre-mature end in 1989, leaving only 5 studio tracks (collected here) and a handful of other unrecorded songs. They recorded them for posterity this year, and it’s remarkable just how much these guys sound like they are picking up right where they left off. The big highlight is the mighty “Crawl Out of the Water”, which existed as an inferior Crain demo. It’s in all its glory here. (“Crawl Out of the Water“) Read my original review.

Advertisements

Quick Review (LP): Sand & Lines by Venice Is Sinking

Venice Is Sinking
Sand & Lines
One Percent Press; 2010

My Rating: A-

Best Tracks: “Sidelights”, “Tugboat”, “Lucky Line”, “Bardstown Road”

Probably best termed dreamy Americana, this band follows the simple song, diverse and pleasant arrangement template. Even though it’s a Mercury Rev song, their excellent take on “Tugboat” seems to be the heart of the album. What it kind of reminds me of is a starrier version of the first Gram Parsons record. Like any dream, it tends to dissipate into a haze rather rapidly, with only a few displaced memories to remain, but that only helps the record in the mystery department. This is excellent rainy day music, and I love the fact that this was recorded on a ceiling mic in an ill-fated theatre. The violin, the vocals, and the drums are my favorite thing about this record. I wish some of the songs were a little bit longer (“Pebble Hill”, “Wurlitzer Prize”), but modesty is a virtue in most cases, and it’s better not to wear out your welcome. Then again, a deluxe edition with outtakes would be nice.

Band Myspace site
Paste review
Pitchfork review
Get the album for FREE

Top 10 Tracks of 2010 (Midway)

from thesecretstereo.com

This is a bit hastily thrown together, but here it is, 8/23, and I haven’t done it yet, so here goes. No comments, no order, only criteria is that it was released between 1/1/2010 & 6/31/2010. Links provided for samples:

Follow the Train – “Movin”
New Pornographers – “Crash Years”
Memoryhouse – “Sleep Patterns”
Stars – “Fixed”
Cerebellum – “Crawl Out of the Water”
Wye Oak – “I Hope You Die”
Beach House – “Walk in the Park”
Broken Social Scene – “World Sick”
Venice is Sinking – “Tugboat”
Strand of Oaks – “Bonfire”

So there.

Yours?