5 Things: “Tinfoil” by Rainer Maria

5 Things I Love About “Tinfoil” by Rainer Maria:

1. The Dueling Vox: This is one of  the best vocal attacks in indie rock. It ranks up there with Robbins/Barbot from Jawbox’s “Dreamless.” It takes some skill to keep your words straight and play an instrument when someone else is shouting something else right next to you.
2. The Hyper-Poetic Lyrics: Do I understand what they mean by “Your chest is a cage for my letters/And your handwriting’s better than mine?” Nope. But it sort of comes off like a riddle, doesn’t it? Fun, right? And the full-throated delivery makes it clear that these kids REALLY mean it.
3. Excellent Bass Work: The tough thing about a stripped down three-piece rock band is that bass has to pick up the slack so that the music doesn’t become two-dimensional. Fortunately, Caithlin De Marrais’ low end work delivers something aggressive and melodic, adding real depth and warmth to the band’s sound. Reminds me of one of my favorite Louisville post-punk bands, Sunspring.
4. Poly-Rhythmic Madness: One minute it’s full out aggression, one minute it’s a nice sort of waltz. Whatever it is, the song always feels like it’s about to blow apart at the seams, so much so that they have to slow it down here and there to restore some semblance of balance. I’m feeling it – “drunk with rage.”
5. The “Indie” Sound – This is what indie rock sounded like before it went big-time in the 2000’s – obscurist, hyper-literate, raw, strong-willed, unbalanced and overflowing with cacophonous melody. “Tinfoil” is the kind of track I would drive around listening to with my friends in high school, out and about with no place to go.

Video Bonus Points: Gotta dig Caithlin’s twirls at the end of the song. These kids could rock!!!

What do you like about this track?

Evergreen: Wholeness of the Soul (part 1)

Evergreen
Wholeness of the Soul
Noise Pollution; 2009
1992: I’m a seventh grader in Louisville, Kentucky, enamoured with the “alternative” bands that have de-throned glam rock heroes like Poison and Motley Crue on MTV. Watching Pearl Jam’s videos for “Even Flow” and “Alive” introduces me to the non-stadium “show” experience. Simultaneously, the skater kids at my school begin sporting t-shirts for bands like Sunspring, Kinghorse, Crain, Sancred, and Evergreen, bands that don’t exist on MTV. I’m intrigued.
1994: I buy my first 7″ records via the Slamdek distribution catalogue. They are records released by the Self Destruct record label. One of them is Evergreen’s self-titled 5-song 7″.
1996: I finally get my hands on a dubbed copy of Evergreen’s Go Kart Ride cassette. It’s official. I love this band. Too bad that version ended three years ago.
2006: I listen to my CD-R of “old” Evergreen’s 13 tracks for somewhere around the 200th or 300th time.
2009: Noise Pollution releases the “old” Evergreen anthology Wholeness of the Soul. It’s about time.
to be continued tomorrow…

wholenessEvergreen
Wholeness of the Soul; 2009
Noise Pollution

1992: I’m a seventh grader in Louisville, Kentucky, enamoured with the “alternative” bands that have de-throned glam rock heroes like Poison and Motley Crue on MTV. Watching Pearl Jam’s videos for “Even Flow” and “Alive” introduces me to the non-stadium “show” experience. Simultaneously, the skater kids at my school begin sporting t-shirts for bands like Sunspring, Kinghorse, Crain, Sancred, and Evergreen, bands that don’t exist on MTV. I’m intrigued.

1994: I buy my first 7″ records via the Slamdek distribution catalogue. They are records released by the Self Destruct record label. One of them is Evergreen’s self-titled 5-song 7″.

1996: I finally get my hands on a dubbed copy of Evergreen’s GO CART RIDE cassette. It’s official. I love this band. Too bad that version ended three years ago.

2006: I listen to my CD-R of “old” Evergreen’s 13 tracks for somewhere around the 200th or 300th time.

2009: Noise Pollution releases the “old” Evergreen anthology WHOLENESS OF THE SOUL. It’s about time.

continued here