Quick Review (LP): Bon Iver by Bon Iver

Bon Iver
Bon Iver
Jagjaguwar; 2011

My Ratings: A- (81/100)

Best Tracks: "Perth", "Holocene", "Michicant", "Calgary",
"Beth/Rest"

Another Winter World.

TRACK NOTES

  • "Perth"
        • A strange hybrid of metal and soft rock.
    • Definitely something brilliant here.
    • Those drums are pretty great.
  • "Minnesota, WI"
    • Is that a banjo or a guitar?
    • Love the layers of instruments and voices.
    • His voice is really just another instrument, isn’t it?
  • "Holocene"
    • Gorgeous arpeggio.
    • "I could see for miles, miles, miles"
    • This one’s a big winner. Just really lovely.
  • "Towers"
    • I like the fact that he didn’t throw as much into this one.
    • Thank God those locomotive drums kick in, because I was going to have to do it if he didn’t.
  • "Michicant"
    • Waltzy.
    • Dreamy.
    • Hyper-nostalgic.
  • "Hinnom, TX"
    • This one’s sort of goofy.
  • "Wash."
    • Kind of reminds me of Rachel’s later work.
    • Hypnotic.
    • Excellent piano work.
    • Bears the nostalgic mark as well.
  • "Calgary"
    • The video is amazing.
    • I’m a sucker for those warm, mournful synths, so I love this track by default.
  • "Lisbon, OH"
    • Transitional. Not much to say about it.
  • "Beth/Rest"
    • Wow.
    • It’s ridiculous to me that in 2011, there are people arguing that the instrumentation is controversial because it is cheesy. That’s because it’s so wonderful.
    • This sounds like the soundtrack to Christopher Cross’ dreams.
    • This is hands down one of the best tracks of the year.

ALBUM NOTES

  • Impressionistic.
  • BTW, it should be against the law for bands to release self-titled albums, unless it is the debut. I think it’s such a cop out. Points docked on concept.
  • Surprised he released this in the summer. Would have made more sense as an early fall.
  • This reminds me of the Strands of Oaks’ Pope Kildragon, except all dolled up with special effects and such.
  • Reminds me of the Destroyer album that came out earlier this year as well.
  • He’s all about evoking a sense of location and space, eh? These songs are very personal in the sense that he is giving voice to specific locations.
  • Places and times, some fictional some real, some non-descript and other very specific, some ancient, some yesterday.
  • There’s a lot going on here. I’ve barely scratched the surface lyrically. I’d love to dive into this one a little more at some point.
  • Want to know what this sounds like? Imagine Brian Eno producing a Coldplay album. Oh, wait…
  • Except it’s like Eno’s Another Green World with Chris Martin singing in falsetto, and his Hobbit brothers nowhere to be found. Seriously, isn’t it funny how Chris’ bandmates all have Hobbit names?
  • Great cover art. Sort of naturalist and surrealist all at once.

ATTRIBUTES
Cohesion (5/5)
Concept (4.5/5)
Consequence (4.5/5)
Consistency (4/5)
Songs (4.5/5)

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Best of 2010 (Tracks): 80 Minutes of the Best Music

Before I get around to telling you my 5 favorite albums of 2010, take a few minutes to consider this little mix of what I consider to be 80 minutes of the best music released last year…

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Now the tracklist isn’t in any particular order, but below I’ve written up what I consider to be the top 8 and linked to where you can listen for yourself. Enjoy!

My Top 8 tracks of 2010

1. “Sprawl II (Mountains Beyond Mountains)” by Arcade Fire…Somehow the best track got tucked away at the tail-end of The Suburbs. Regine Chassagne sounds so good. On past efforts, her contributions were always welcome additions, but over the electronic backing here, she delivers a stark and captivating performance that steals the show. Lyrically, this is the most stunning track I’ve heard in ages. As a pop song, it sounds like it’s a lost synth-pop classic from the 80’s. Simply brilliant. (listen)

2. “Movin” by Follow the Train…There is a tiny minority out there that knows what I am talking about when I say, “World, it’s high time you meet Follow The Train.” And there’s no better place to start than this transcendent piece of freaked-out, soulful, symphonic space grunge. Dig those strangz dawg. (listen)

3. “All Delighted People” by Sufjan Stevens…Don’t call it a come back. The Age of Adz still hasn’t grabbed me like I hoped it would, but Sufjan made such a grand return with the preceding EP that I’ve pretty much shrugged it off. The EP’s title track is quite possibly the most glorious thing he has yet recorded. It takes everything that we’ve grown to love about the mild-mannered Suferman, vamps it up to a grand symphony, throws in a fireworks display, makes a joyful noise, and then pushes it completely over the top. Now THAT is how you make a return to centerstage! (listen)

4. “Zebra” by Beach House…The most elegant song on this list, it’s an impressionistic little waltz that, as I’ve said before, somehow becomes a stadium-sized thunder track. Between Victoria Legrand’s vocals and Alex Scally’s instrumentation, what on paper appears quite simple becomes dream-like and absolutely gorgeous. (listen)

5. “If You Only Knew” by Kathryn CalderWrote about it here. For those wondering what AC Newman was thinking when he asked his mousy niece to play Christine McVie to Neko Case’s Stevie Nicks, this should give you some indication. My pick for the backporch singalong track of the year. Too much fun…

6. “Bonfire” by Strand of Oaks…Imagine if you will a character in an 80’s slasher flick who sits by a campfire and sings a lonely song that is simultaneously terrifying and pathetic, all while, unbeknownst to him, his cohorts are butchered in the cabin just across the water. You have just imagined “Bonfire” by Strand of Oaks, and it is actually one of the most touching and atypical love songs you’ll ever hear. (listen)

7. “A Cold Freezin’ Night” by The Books…Found sound usually isn’t this giddy and delightful. The bottom line is, this reminds me of all the good things about being nine years old. Who needs verse-chorus-verse? And the video is BADNESS…

8. “Bloodbuzz Ohio” by The National…It was hard to pick just one track from High Violet. I can think of 3 or 4 great tracks that could have been here as well. But ulimately, the lyric “I still owe money/to the money/to the money I owe” was just too good to pass up. (listen)

What were some of your favorites?

Quick Review: Pope Killdragon LP by Strand of Oaks

Pope-Killdragon-Cover I was an instant fan of Strand of Oaks after hearing “Bonfire” a few months back. Timothy Showalter has an approach that might best be described as creepy campfire folk, evoking all kinds of dark season imagery through melancholy vocals (a la Robin Pecknold), acoustic guitar, and eerie, lush synth. “West River” opens things in instrumental fashion, invoking the spirits of the other songs like any good overture should. “Bonfire” remains the obvious standout, but I really dug “Daniel’s Blues” for raising the early SNL players to archetypal glory. I don’t know that this is quite achieves what “Bonfire” set my expectations to, as some of the songs blend into a monotonous drone (an easy thing for this type of music), but it is a solid effort nevertheless, and I recommend checking it out. “Bonfire” is simply a must-hear. Rating: B. RiYL: Fleet Foxes, The National, Bonnie “Prince” Billy, Songs:Ohia, Red House Painters.

Listen Here (Myspace site)
Pitchfork Review
Hearya Session
Daytrotter Session

Top 10 Tracks of 2010 (Midway)

from thesecretstereo.com

This is a bit hastily thrown together, but here it is, 8/23, and I haven’t done it yet, so here goes. No comments, no order, only criteria is that it was released between 1/1/2010 & 6/31/2010. Links provided for samples:

Follow the Train – “Movin”
New Pornographers – “Crash Years”
Memoryhouse – “Sleep Patterns”
Stars – “Fixed”
Cerebellum – “Crawl Out of the Water”
Wye Oak – “I Hope You Die”
Beach House – “Walk in the Park”
Broken Social Scene – “World Sick”
Venice is Sinking – “Tugboat”
Strand of Oaks – “Bonfire”

So there.

Yours?