Quick Review (LP): Bringing It All Back Home by Bob Dylan

Bob Dylan
Bringing It All Back Home
Columbia; 1965

My Rating: A (95/100)

Best Tracks: "Subterranean Homesick Blues", "She Belongs to Me", "Mr. Tambourine Man", "Gates of Eden", "It’s Alright Ma I’m Only Bleeding", "It’s All Over Now, Baby Blue"

This is Dylan’s first truly great album. Sure, he’d written lots of great songs before now, but this one feels crafted to please from start to finish.


– From the outset this sounds fresh and revolutionary.
– The lead guitar throught is excellent.
– The bridge album from his early folk style to his surrealistic Americana.
– All in all, this is a great album full of funny, colorful, thick songs and exceptional playing. There is a dream-like quality throughout.
– "115th Dream" is a lyrical trip.
– "It’s All Over Now, Baby Blue" is one of my all time favorite tracks, because it is a break-up song that puts the end of the relationship in apocalyptic terms. Also, I like the noodly guitar that sort of haunts the background of the track. It’s flourishes like these that are signs of what was to come from Dylan over the next several years, both in his solo work and in his collaborations with The Band.
– This is perhaps Dylan’s Rubber Soul or maybe even his Revolver. That is, it’s a bit overlooked, but arguably one of the greatest records of the 60’s. It marks a turning point in music history for sure, and as for personal preference, this begins my favorite Dylan period.
Erlewine of Allmusic makes a good point that the whole Dylan going electric thing makes for good film footage of angry fans, but as an artistic marker, it is overplayed: “…it’s not just that he went electric, either, rocking hard on "Subterranean Homesick Blues," "Maggie’s Farm," and "Outlaw Blues"; it’s that he’s exploding with imagination throughout the record. After all, the music on its second side — the nominal folk songs — derive from the same vantage point as the rockers, leaving traditional folk concerns behind and delving deep into the personal.”

Cohesion (4.5/5)
Concept (5/5)
Consistency (4.5/5)
Consequence (5/5)
Songs (5/5)