Quick Review (LP): Achtung Baby by U2


U2
Achtung Baby
Island; 1991

My Rating: A+ (100/100)

Best Tracks: "Even Better Than The Real Thing", "One", "Until the End of the World", "Who’s Gonna Ride Your Wild Horses", "Mysterious Ways", "Ultraviolet"

“Let us go then, you and I / When the evening is spread out against the sky…”

NOTES

  • Even today, "Zoo Station" is such a bizarre song. It certainly sent the message at the time that U2 were re-defining themselves as a band. The "Everything In It’s Right Place" of the 90’s.
  • "Time is a train/The future, the past/We’re standing in the station/Our face pressed up against the glass"
  • "Even Better Than The Real Thing" = prophecy. Brilliant guitar work from The Edge.
  • You don’t need me to tell you that "One" is great, but I really love the way the song avoids the traditional verse-chorus-verse. The guitar tones are wonderful too.
  • "Have you come here for forgiveness/Have you come to raise the dead/Have you come here to play Jesus/To the lepers in your head?"
  • "Until the End of the World" is worth the price of admission alone. Judas sings the lead. Jesus sings the "Love love love!"
  • "In the garden, I was playing the tart/I kissed your lips and broke your heart/You, you were acting like it was the end of the world…"
  • "Waves of regret and waves of joy/I reached out for the one I tried to destroy/You, you said you’d wait til the end of the world…"
  • That ending. Haunting, beautiful, amazing.
  • “Who’s gonna ride…?" has always been a personal favorite. Love the wall of sound, the glam coupled with the gorgeous and romantic melody. Amazing lyrics.
  • "Oh the deeper I spin/The hunter will sin/For your ivory skin/Took a drive in the dirty rain/To the place where the wind calls your name…"
  • "So Cruel" is another great from this record. Brilliant songwriting. Sort of sounds like Elvis, doesn’t it? I could see him covering this, a medley with "Suspicious Minds."
  • "The Fly" is a really cool tune. I’ve always loved Bono’s falsetto on that tune, and the way he duels with his own voice on the lower end is brilliant.
  • "Love/We shine like a burning star/Falling from the sky/Tonight"
  • "A man will rise/A man will fall/From the sheer face of love/Like a fly on a wall/It’s no secret at all…"
  • "Mysterious Ways" is the big poppy hit here, but it’s no less a brilliant tune. No one can make meaningful and rich radio rock like U2.
  • "Tryin’ to Throw Your Arms Around the World" is another personal fave. It’s another example of the band sounding completely re-vitalized and fresh, brimming with ideas. Love that ethereal synth part in the background. That makes the song in my book.
  • I know I’m starting to sound like a broken record, but "Ultraviolet" is such a wonderful song. Amazing atmosphere, amazing tune.
  • Achtung Baby contains the band’s best ending sequence. "Acrobat" sets things swirling, setting the mood for what comes next.
  • "Love Is Blindness" – the opening organ is a nice touch. A waltz – what a way to end the record!
  • By the way, what is that lyrical style called (on "Love Is Blindness")? Bono uses it quite a bit, but he really nails it here. Is it a litany?
  • Big awards go to all players here. Bono’s vocals and lyrics are rich and compelling, The Edge’s guitar work is other-worldly, and Clayton and Mullen changed their style to lay the groundwork for greatness. Also, Eno and Lanois work their magic again. Can’t forget Lillywhite or Flood either.
  • Nevermind and Out of Time may have helped spur the music revolution in 1991, but it’s Achtung Baby that stands alone as a truly revolutionary experience. Even today, there’s a magical "high art" quality to the record that is an extremely rare achievement in the world of pop music. Only U2 could pull off a tongue-in-cheek pop record concerned with such weighty themes. A marvel of biblical proportions, and perhaps the record U2 was pre-destined to create.
  • A previous write-up.
  • Really looking forward to the deluxe edition (6CDs!!!) in November.
  • One last thought – AB as a whole sort of reminds me of the T.S. Eliot’s “J. Alfred Prufrock.” I mean the feel of the record. I just realized that.

ATTRIBUTES
Cohesion (5/5)
Concept (5/5)
Consequence (5/5)
Consistency (5/5)
Songs (5/5)

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