Quick Review (LP): Self Portrait by Bob Dylan


Bob Dylan
Self Portrait
Columbia; 1970

My Rating: C (44/100)

Best Tracks: "I Forgot More Than You’ll Ever Know", "The Mighty Quinn (Quinn The Eskimo)"

A classic of the school of monumentally bizarre career moves.

NOTES

  • He’d already released a greatest hits collection. Why not an odds + ends collection? Throw in some live takes from Isle of Wight ’69, and you’ve got a money-maker.
  • It’s a strangely appropriate album title. This is perhaps Dylan’s most radical attempt to reclaim his identity, to snatch it away from the 60’s counterculture. Truth is, I think he succeeds, with unintended effect.
  • Just what the heck IS "All the Tired Horses"?
  • Lots of covers, not much original here. Still, there are some quality moments.
  • "I Forgot More Than You’ll Ever Know" is a really nice; is it a Nashville Skyline outtake?
  • He really does sound bored on the live take of "Like A Rolling Stone."
  • He really farts around on "The Boxer."  I think that qualifies as irreverent? What was that petty rivalry that Simon and Dylan had going on back then?
  • I love this version of the "The Mighty Quinn." One of my all time favorite Dylan cuts. So loose, so carefree, so joyful.
  • I don’t know that this is really the load of junk that everyone suggests. It’s an odds and ends collection that would sound right at home on "deluxe" reissues of some of Dylan’s late 60’s and early 70’s work. It’s not prime material, but it ain’t bad either.
  • Stephen Erlewine’s AMG review is pretty incisive here. Key insight: "To say the least, it’s confusing, especially arriving at the end of a decade of unmitigated brilliance, and while the years have made it easier to listen to, it still remains inscrutable, an impossible record to unlock. It may not be worth the effort, either, since this isn’t a matter of deciphering cryptic lyrics or interpreting lyrics, it’s all about discerning intent, figuring out what the hell Dylan was thinking when he was recording — not trying to decode a song."

ATTRIBUTES
Cohesion (2/5)
Consequence (4/5)
Consistency (2.5/5)
Concept (4/5)
Songs (3.5/5)

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