Quick Review (LP): How To Become Clairvoyant by Robbie Robertson


Robbie Robertson
How To Become Clairvoyant
429 Records; 2011

My Rating: C (48/100)

Best Tracks: "When the Night Was Young", "He Don’t Live Here No More"

Is Clapton a verb? As in, “He totally Clapton’d this record?”

RANDOM NOTES:

– He was rarely The Band’s voice, but he was its chief songwriter, and a darn good one at that.
– A bit smooth and suave, and sort of bland in a Clapton-ish sort of way.
– Honestly, I was hoping for a record of big Americana pop songs, much like his solo debut.
– And then Clapton shows up on Track 6. It had to happen, right?
– It all sounds a little bit too good times-ish. I’d love to hear something with a little more bite.
– "Madame X" rocks it Weather Channel style.
– There’s no stamp here, nothing that screams at me "This is the new Robbie Robertson record!" Other than the fact that it is the new Robbie Robertson record, but you know what I mean.
– Is it just me, or does he sound like a less talented John Mayer knockoff?
– "He Don’t Live Here No More" recalls some of the pop brilliance of his eponymous solo offering, which is a far superior record.
– I do like "When the Night Was Young", but it does seem a bit pathetic lyrically.
– "She’s Not Mine" sounds a bit like something U2 might produce today, which unfortunately is not a compliment.
– In my mind, the ability of old rock stars to age gracefully has a gold standard represented best by Mark Knopfler, with the last 10 years of Bob Dylan recordings as a close silver.
James Leven (Paste) gets it right: "Still, Clairvoyant feels a bit underpowered when you consider the sheer tonnage of talent surrounding it." "With Peter Wolf and Robert Plant out making records that push the needle in the revered oldster lane, Robertson and his famous friends could easily have taken more names."
– Queue us all wishing that he’d get back together with Levon so that he could get re-inspired by a little southern badassery.
– As far as aging rock stars go, you have a spectrum that ranges from Eric Clapton to Bob Dylan. This clearly leans heavily to the Eric Clapton side of things.

ATTRIBUTES
Cohesion (4/5)
Concept (4/5)
Consistency (3.5/5)
Consequence (4.5/5)
Songs (3/5)

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