Quick Review (LP): Handwriting by Rachel’s

handwriting Rachel’s
Quarterstick; 1995

My Rating: B

Best Tracks: “Southbound to Marion”, “M. Daguerre”, “Full On Night”

UPDATE 2021: check out my full Rachel’s writeup here

When Rodan split in late 1994, they darted like subatomic particles into other musical nuclei. The most obtuse of these initial ventures was probably Rachel’s, Jason Noble’s stab at classical music. While it might seem like a stretch, it’s really not. After all, Rodan opened their only LP with “Bible Silver Corner”, a drum-less instrumental steeped in neo-classical dynamics and ambiance. When you consider that he was joined by two classically trained musicians (Christian Fredericksen and Rachel Grimes) in forming the artistic core of Rachel’s, it’s no surprise that their debut slides easily into the canon of 20th century classical music. That’s not to say that all of Rodan’s angular aesthetic has been stripped from these arrangements. “Full On Night” features a long free-handed guitar solo from Noble, and “M. Daguerre” amounts to an eerily deconstructed take on an old lounge standard. These two long tracks are exceptionally strong, and opener “Southbound to Marion” makes for an outstanding country road soundtrack. Finally, it’s Rachel Grimes that shines on the poignant “Frida Kahlo”, anticipating the major role she would play on the band’s follow-up, Music for Egon Schiele. All in all, not everything here is great, but as a fusion of indie rock and neo-classical music, there’s enough good to keep me coming back for more.

All Music Guide review
”M. Daguerre” video
Rachel’s website

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