Top 10 Tracks: Death Cab For Cutie (part 2)


Here’s part 2 of my top 10 Death Cab for Cutie tracks, in no particular order…

Different Names for the Same Thing: Nobody lends drama to thoughtful angst quite like Benny G., and here’s more proof. The first part of the track consists of a piano, a thunderstorm, and Dr. Gibbard’s echoing vox. Distance and sadness right there. The second part accelerates into a jam, yet still there’s no closing the distance between what’s in his heart and what he’s looking for. Communication as infinite distance…classic stuff.

Bend to Squares: Death Cab makes a grandiose statement right out of the gate: we are mope, and we are proud. This is a great track, mournful and beautiful. The cello sounds less like an afterthought and more like a key component of the band’s sound. Gotta love that.

A Movie Script Ending: This is one of the band’s best riffs. Gibbard demonstrates his penchant for the turn of phrase and lyrical imagery: “As if saved from the gallows, there’s a bellow of buzzers and people stop working, and they’re all so excited – excited.” Loathing never sounded so pretty.

We Laugh Indoors: Another great riff, and now we’ve got some tempo to boot! Yet just when you think the band might get just a little bit aggressive, think again: “I loved you Guinevere, I loved you, Guinevere, I loved you” ad infinitum…

Transatlanticism: Death Cab doesn’t do epic all that often, but this one’s a masterpiece. Visual, narrative, climactic, cataclysmic, all full of pathos and the human condition. Nice melody and guitar too. As a thousand Gibbard’s howl “So come on!” who isn’t overwhelmed?

What are your favorite Death Cab tracks?

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