Evergreen: Wholeness of the Soul (part 2)


wholenessEvergreen
Wholeness of the Soul; 2009
Noise Pollution Records

continued from part one

The Louisville all-ages scene of the early 1990’s was a mish-mash of influences. You had bands like Kinghorse melding Black Sabbath metal with Misfits punk, bands like Endpoint proclaiming the conscientious hardcore ethos of the DC sound, and bands like Rodan building upon the classical dynamics of local heroes Slint. There was also a handful of other bands that could easily sell out a venue in Louisville anytime, anywhere, such as Crain, Erchint, or Bush League. All of these bands were great in their own right, and some, like Crain, have received a strong reissue treatment elsewhere. However, this collection of Evergreen’s long out of print Self Destruct recordings finally brings to digital format one of Louisville’s greatest and most original punk acts.

Noise Pollution’s anthology rightly puts the band’s official releases ahead of previously unreleased demo and live recordings, but to best understand how the band progressed in just a few years, it’s interesting to begin at track 14 and listen through to the end. Tracks 14 thru 17 are 4-track demo recordings from 1991. Recorded when the band was called Cinderblock (but composed of the same members), these tracks show a band heavily influenced by contemporary local heroes like the afore-mentioned Kinghorse and Bush League. The spidery guitar breakdown in the middle of “Psyche Scream Closet” bears a strong resemblance to the proggish instrumentalism of bands like Rodan and Crain. Nevertheless, the hardcore here is sludgy, brutal, and nasty. Between the demos and the live recordings, we get some indication of where Evergreen began, making tracks 1 thru 13 all the more astounding.

completed tomorrow…

The Louisville all-ages scene of the early 1990’s was inspired by a mish-mash of influences. You had bands like Kinghorse melding Black Sabbath metal with Misfits punk, bands like Endpoint proclaiming the conscientious hardcore ethos of the DC sound, and bands like Rodan building upon the classical dynamics of local heroes Slint. There was also a handful of other bands that could easily sell out a venue in Louisville anytime, anywhere, such as Crain, Erchint, or Bush League. All of these bands were great in their own right, and some, like Crain, have received a strong reissue treatment elsewhere. However, the reissue of Evergreen’s long out of print Self Destruct recordings finally brings to digital format one of Louisville’s greatest and most original punk acts.
Noise Pollution’s anthology rightly puts the band’s official releases ahead of previously unreleased demo and live recordings, but to best understand how the band progressed in just a few years, it’s interesting to begin at track 14 and listen through to the end before beginning from track 1. Tracks 14 thru 17 are 4-track demo recordings from 1991. Recorded when the band was called Cinderblock (but composed of the same members), these tracks show a band heavily influenced by contemporary local heroes like the afore-mentioned Kinghorse and Bush League. The spidery guitar breakdown in the middle of “Psyche Scream Closet” bears a strong resemblance to the proggish instrumentalism of bands like Rodan and Crain. Nevertheless, the hardcore here is sludgy, brutal, and nasty. Between the demos and the live recordings, we get some indication of where Evergreen began, making tracks 1 thru 13 all the more astounding.
completed tomorr

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2 Responses to Evergreen: Wholeness of the Soul (part 2)

  1. Pingback: Evergreen: Wholeness of the Soul (part 1) « Sweet Georgia Breezes

  2. Pingback: Evergreen: Wholeness of the Soul part 3 « Sweet Georgia Breezes

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