Radiohead: Top 12 Non-Album Tracks 6-4


6. “Four Minute Warning” from IN RAINBOWS CD2: I think this track may have been the one Ed referred to as “Bombers” during the KID A sessions. Can’t be sure, but nevertheless, it’s one of the best songs the band has recorded period. It might have closed out IN RAINBOWS just as easily as “Videotape”, the white-noise fade-in evoking a cinematic landscape of bravenewworld devastation. Coming from the same subconscious goldmine that gave us “Pyramid Song”, the lyrics and music working together to evoke a similar slow-motion waking dream. Proof positive that Radiohead needs to record an album of piano-based ballads.
5. “Maquiladora” from HIGH AND DRY SINGLES:  Taking second place only to “Just” as the most in-your-face brit rock track in the band’s repertoire, “Maquiladora” is another b-side that “might have been a hit” for the band during THE BENDS era. With Jonny G.’s incendiary lead and the explosive refrain “Oh – BAY – BAH – BURN!!!!!”, this is the sort of track that the band should still be rolling out as an encore every once in a while. Also priceless – the clean cut breakdown (aka the pretty part) between the episodes of thundering heaviness. Simply brilliant all around.
4. “A Reminder” from PARANOID ANDROID SINGLES: Once considered as the lead-off single for OK COMPUTER, this one didn’t make it onto the album proper, but still stands as one of the strongest examples of the band’s aesthetic at that time. Slowly building around a locomotive drive, it’s an obtuse little love song, evocative of a train trek across the sub-continent of Europe in the prime of one’s youth (this is helped by the actual sounds of a Czech rail station opening the song). Like Richard Linklater’s BEFORE SUNRISE, the song’s narrative revolves around two people, the speaker and the addressee. Highly personal and minimally detailed, it nevertheless expresses a deep romanticism that the band hasn’t quite achieved since.

Radiohead_Nude6. “Four Minute Warning” from the NUDE singles: I think this track may have been the one Ed referred to as “Bombers” during the KID A sessions. Can’t be sure, but nevertheless, it’s one of the best songs the band has recorded period. It might have closed out IN RAINBOWS just as easily as “Videotape”, the white-noise fade-in evoking a cinematic landscape of bravenewworld devastation. Coming from the same subconscious goldmine that gave us “Pyramid Song”, the lyrics and music work together to evoke a similar slow-motion waking dream. Proof positive that Radiohead needs to record an album of piano-based ballads.

High_and_Dry_Planet_Telex_CD15. “Maquiladora” from the HIGH AND DRY singles:  Taking second place only to “Just” as the most in-your-face brit rock track in the band’s repertoire, “Maquiladora” is another b-side that “might have been a hit” for the band during THE BENDS era. With Jonny G.’s incendiary lead and the explosive refrain “Oh – BAY – BAH – BURN!!!!!”, this is the sort of track that the band should still be rolling out as an encore every once in a while. Also priceless – the clean cut breakdown (aka the pretty part) between the episodes of thundering heaviness. Simply brilliant all around.

Paranoid_Android_CD14. “A Reminder” from the PARANOID ANDROID singles: Once considered as the lead-off single for OK COMPUTER, this one didn’t make it onto the album proper, but still stands as one of the strongest examples of the band’s aesthetic at that time. Slowly building around a locomotive drive, it’s an obtuse little love song, evocative of a train trek across the sub-continent of Europe in the prime of one’s youth (this is helped by the actual sounds of a Czech rail station opening the song). Vaguely recalling Richard Linklater’s film BEFORE SUNRISE, the song’s narrative revolves around the hopes and fears of two young people intimately connected for a moment in time. Highly personal and minimally detailed, it nevertheless expresses a deep romanticism that the band hasn’t quite achieved since.

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