REM: Out of Time (1991)

REM

Out of Time; 1991

Warner Brothers

My Rating: 90/100

REM apparently spent three years exploring their options. After producing six albums in as many years, the band catapulted into the national spotlight in a big way with OUT OF TIME. It also marks a huge stylistic shift for the band, featuring a far more acoustic delivery and incorporating rootsy instruments like the mandolin, accordion, and symphonic string arrangments. Although it is common practice to slam this album for its cutesy excesses (witness the silly rapping on “Radio Song” and the delightfully annoying “Shiny Happy People”, both of which are actually decent songs), it’s the lesser known tracks that really shine. While “Losing My Religion” was the song that redefined the band’s sound, “Belong” and “Texarakana” both came out of left field and stand as huge artistic leaps for the band. “Near Wild Heaven” jangles its way into a masterpiece of nostalgic pop (featuring lead vox from Mike Mills), while “Me In Honey” features an irresistibly soaring chorus and classic REM riff. All in all, what’s not to like about this album? It may not be their most influential or the one that all the cool kids talk about, but I can’t think of another time when REM made such irrepressibly joyful music. In a world of pretense and image, OUT OF TIME stands as REM’s boldest musical statement, and one of the most consistently delightful records in the history of rock and roll. OUT OF TIME? Try timeless.

Cohesion (5/5)

Concept (4/5)

Consequence (5/5)

Consistency (5/5)

Tracks:

1. Radio Song (4/5)

2. Losing My Religion (5/5)

3. Low (4/5)

4. Near Wild Heaven (5/5)

5. Endgame (5/5)

6. Shiny Happy People (5/5)

7. Belong (5/5)

8. Half a World Away (5/5)

9. Texarkana (5/5)

10. COuntry Feedback (4/5)

11. Me In Honey (5/5)

REM
Out of Time; 1991
Warner Brothers

My Rating: 90/100

REM apparently spent three years exploring their options. After producing six albums in as many years, the band catapulted into the national spotlight in a big way with OUT OF TIME. It marks a huge stylistic shift for the band, featuring a far more acoustic delivery and incorporating rootsy instruments like the mandolin, accordion, and symphonic string arrangments. Although it is common practice to slam this album for its cutesy excesses (witness the silly rapping on “Radio Song” and the delightfully annoying “Shiny Happy People”, both of which are actually decent songs), it’s the lesser known tracks that really shine. While “Losing My Religion” was the song that redefined the band’s sound, “Belong” and “Texarakana” both came out of left field and stand as huge artistic leaps for the band. “Near Wild Heaven” jangles its way into a masterpiece of nostalgic pop (featuring lead vox from Mike Mills), while “Me In Honey” features an irresistibly soaring chorus and classic REM riff. All in all, what’s not to like about this album? It may not be their most influential or the one that all the cool kids talk about, but I can’t think of another time when REM made such irrepressibly joyful music. In a world of pretense and image, OUT OF TIME stands as REM’s boldest musical statement, and one of the most consistently delightful records in the history of rock and roll. OUT OF TIME? Try timeless.

Cohesion (5/5)
Concept (4/5)
Consequence (5/5)
Consistency (5/5)

Tracks:

1. Radio Song (4/5)
2. Losing My Religion (5/5)
3. Low (4/5)
4. Near Wild Heaven (5/5)
5. Endgame (5/5)
6. Shiny Happy People (5/5)
7. Belong (5/5)
8. Half a World Away (5/5)
9. Texarkana (5/5)
10. Country Feedback (4/5)
11. Me In Honey (5/5)

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